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Issue № 2 — Visuality

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In your own words — Issue 2 — Visuality (in Russ, PDF, 21.78 Мб) 

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The Visual in Literature: From Theory to Practice. An Interview with Victoria Malkina (in Russ, PDF, 5.53 Mb) 

Taisiia Frolova. The Function of Ekphrasis of the Sistine Madonna in the Novel Demons by F.M. Dostoevsky (in Russ with an English abstract, PDF, 1.72 Mb) 

Ksenia Gulkova. Means of Constructing the Image of a Teenager and the World around in a Youth Graphic Novel (Based on the Danish Novel Pssst! by Annette Herzog and Katrine Clante) (in Russ with an English abstract, PDF, 1.44 Mb) 

Gilbert Ndi Shang. Deconstructing Postcolonial Scopic Regimes: the Subversion of Power Imaginaries in the Novels of Ngugi wa Thiong’o and Sony Labou Tansi. Trans. from English by Viktoria Vinokurova (in Russ with an English abstract, PDF, 283 Kb) 

Nikita Biryukov. The Vietnam War: Cultural Memory and American Cinema in the Second Half of the Twentieth Century (the Example of Platoon) (in Russ with an English abstract, PDF, 1.59 Mb) 

Karina Razukhina, Grigory Filippov. Shimmering as Construction of the Visual in Fiction: Comparison of the Positions of the Reader and the Viewer in Literature and Film (A. Grin’s Gray Car [Seryy Avtomobil’] and O. Teptsov’s Mister Designer [Gospodin Oformitel’]) (in Russ with an English abstract, PDF, 846 Kb) 

Ilya Malafei. Anticipating Memory Landscapes: Temporality and Destruction of Life in Atlantis (2019) (in English, PDF, 1.87 Mb) 

Timur Gazizullin. Elite Societies of the Russian Revolution of 1917–1921 through the Prism of the Vestimental Code (in Russ with an English abstract, PDF, 203 Kb) 

Ksenia Padalka. Comparative Analysis of the Scenography of the Ballet Sylvia Performed at the Opera Garnier (1997) and the Vienna State Opera (2018) (in Russ with an English abstract, PDF, 2.46 Mb) 

Anastasiia Afanaseva. History in Pictures: Review of Collective Monograph Cultural Goods. Commercialization of History in Popular Culture (in Russ, PDF, 211 Kb) 


 

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