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ФКН
Book
EU–Central Asian Interactions: Perceptions, Interests and Practices

Arynov Z., Bossuyt F., Davletova N. et al.

Abingdon: Routledge, 2024.

Book chapter
Refugee migration to the People’s Republic of China

Soboleva E.

In bk.: Handbook on Migration to China. Edward Elgar Publishing, 2025. P. 294-308.

Working paper
Symbolic Representations of ‘Sovereignty’ in Modern Political Discourse (Comparative Analysis of Contemporary Discourse From France, USA, Russia, and China)

Krivokhizh S., Akopov S.

Basic research program. WP BRP. National Research University Higher School of Economics, 2019. No. 65/PS/2019 .

Minhwa Art Club Exhibition Opens at the Kanatny Tsekh as Part of International Partners’ Week 2026

From May 18 to 22, the Kanatny Tsekh venue hosts an exhibition by the Minhwa Art Club of the Department of Korean Studies at the Institute of Asian and African Studies, HSE University — Saint Petersburg. The exhibition is part of the programme of International Partnership Week 2026 and introduces visitors to the tradition of Korean folk painting known as minhwa.

Minhwa Art Club Exhibition Opens at the Kanatny Tsekh as Part of International Partners’ Week 2026

Photo courtesy of N. Philippova

Minhwa is a distinctive form of Korean art that became especially widespread during the Joseon dynasty (1392–1910). Unlike court painting, which followed strict artistic conventions, minhwa was closely connected to everyday life and reflected ideas of harmony, prosperity, longevity, and family well-being. Its symbolic language combines elements of Buddhist, Confucian, and folk traditions of Korea.

The exhibition features works by students and graduates of the Institute created within the activities of the Minhwa Art Club under the supervision of Associate Professor N. Georgieva-Russ. The display includes both classical subjects of Korean painting — lotus flowers, peonies, tigers, birds, and bookshelves — as well as contemporary interpretations of traditional motifs.

Each artwork reveals the symbolic meanings embedded in minhwa imagery: the lotus represents purity and spiritual harmony, the peony symbolizes wealth and prosperity, the tiger serves as a protector against evil spirits, while compositions with flowers and birds express wishes for happiness, well-being, and family harmony. Particular attention is given to works inspired by Confucian virtues and the traditional culture of scholarship.

The exhibition makes an important contribution to the programme of International Partnership Week by creating a space for cultural dialogue and engagement with Korean artistic traditions. The display highlights how academic study of the region can be combined with artistic practice and intercultural exchange, bringing together students, faculty members, and international partners of the university.